Flying Lotus

Lil Noise (Plus Lil More News)

Enjoy:

1) Flying Lotus pretty much kills it again live, this time with a band featuring Ravi Coltrane and a few others. The version of Mmmhmm, in particular, lends such a nice new looseness and space to the original without sacrificing the basic mood of the electronic version. I used to think Flying Lotus was a little bit of a Dilla knock-off, a talented flash in the pan -- boy was I wrong.

2) Jason Moran + The Bandwagon = one of the absolute best working groups in music today. I've seen them live twice now. The first time, they relied heavily and intriguingly on a variety of loops and samples around which they'd improvise -- so Adrian Piper talking about art, or the scuffling/skidding sounds of shoes on a basketball court in Lithuania, etc would become points of departure for soulful yet rigorous improvised flights. The second show was rooted much more in the interplay b/w Moran and his bandmates; less flashy and technical, arguably less "visionary", but probably a bit more human and relatable. NPR recorded an excellent set by this group at the Village Vanguard (exactly one night after I saw them), and I can't recommend it strongly enough.

3) Missed this Tyshawn Sorey/Steve Lehman/Todd Neufeld triple threat but am glad to at least have heard this skronky monster by Evan Parker/Derek Bailey/Han Bennink -- recommended by Sorey himself in advance of the aforementioned gig.

4) Bonus: DC peeps, take note.

Took Notice

Don't get me wrong, I really enjoyed Los Angeles, Flying Lotus's debut LP. It might have been the only thing I listened to from Jan 2009-Feb 2009 until Merriweather Post Pavilion started owning my iPod. But after watching DJ Shadow and Prefuse 73 both kinda fizzle out a bit after some initially very bright efforts, I kinda assumed that Flying Lotus would be another gifted instrumental hip-hop producer who would nail down a unique style and then get boxed in by it within one or two albums. But his latest LP, Cosmogramma, lays waste to those fears. Tons of live instrumentation, much more diverse rhythmic source material, fuller and lusher production, without any trace of abandoning his original style. Proof? The fact that he was able to pull off this collaboration with one of the new jams (featuring some interpolated J Dilla in the coda as well):

Miguel Atwood-Ferguson Ensemble "Drips/Take Notice" feat Flying Lotus from Miguel Atwood-Ferguson on Vimeo.

Again, maybe he'll end up like Prefuse (whose 2nd LP was also his highwater mark), but in the meantime let's enjoy the ride.

Passing Time

Last 3 weeks consisted of: work work, show, work work, family, jazz, work work, visiting friend, work work, golden weekend. Highlights of non-work:

1) Animal Collective at Prospect Park, 08/14: 4th time seeing em, first time in a huge venue. Weird to see em cross over into the bigtime. Youngish audience members freakin' out about Geologist wearing a headlamp, as if that's news to anybody at this point. Still, a great show. The enormous bass sound lent new power and fullness to the Merriweather jams (which I'd previously heard live in more skeletal form at Satellite Ballroom). And, contrary to some of the droney/minimal/uh boring(?) bootlegs I'd been hearing lately, this show featured a lot of noise, a lot of rhythm, a lot of energy.

2) Jason Moran and the Bandwagon at Village Vanguard, 08/22: Stunning, highly recommended. Moran and his Bandwagon group managed to link together ragtime, bebop/post-bop, funk, free jazz, gospel, soul, hip-hop into one of the most seamless blends I've heard yet in an ostensibly "jazz" group -- no mere pastiche, just try and tell me where one influence ends and the next begins. They also made fascinating use of prerecorded sounds (of Lithuanian basketball players/announcers, of a pencil writing on paper, of Adrian Piper talking about art and society). One piece cleverly inverted the old "break down" party phrase into a manifesto for clever artistry.

3) Grizzly Bear at Williamsburg Waterfront, 08/30: got there late (I was sleeping off a 24 hr call night, ugh) and couldn't get in as the place had filled up. Pretty disappointing as my friend Tim was in town at least in part to catch that show and we both missed it. That being said, the highlight was when I was standing at the 7th St entrance, got tapped on my shoulder to move over, and then Tim pointed behind me: there I saw Jay-Z and Beyonce just kind of walking by me with their surprisingly reasonable and small entourage. This has been blogged about endlessly since, but I was literally next to these folks and it was my first strange brush with celebrity up here. PS any advance word on Blueprint 3? I haven't been following the leak game lately.

4) Battles/!!!/Flying Lotus (and Pivot, who I didn't see) at Terminal 5, 09/04: Celebrating the 20th anniversary of Warp Records, the label that pretty much defined my musical upbringing in the mid-late 90's. Flying Lotus was the huge shocker of the night. I expected FlyLo (?!?) to play a set of narcoleptic, fractured post-Dilla hip-hop and instead got slamming track after track of enormously bass-heavy dubstep, strange updates on the Warp 90's sound, weird hip-hop mutant beats, and a delightful appearance by a thoroughly chopped up Amen break at the end. He was having more fun than any of the performers who'd follow and the crowd ate it up. Thoroughly recommend checking him out when he swings by yr town. !!! were on next and managed to entertain. Jury's still out on whether they're really all that into making people dance or if the dancing is just an inevitable byproduct of the fact that they seem like closet psych-rock dudes who discovered disco and split the difference. Anyway, there was dancing. Finally, Battles. Debuted some new stuff that sounded great, didn't seem to be any huge departures from their debut disc. However, they were incredibly tight and reminded me how much I loved their jams when Mirrored appeared two years ago. Much like the Animal Collective show though, it was weird being in a crowd for a band that once belonged to a scene that seemed a bit more inclusive (or am I just being nostalgic for Cville again?). Example: the guy behind me who got really angry when I was idly clapping an afro-cuban rhythm to the beat. He talked some trash so I turned around and lectured him on 12/8 time signatures and how instead of getting mad maybe he should pay attention to the band onstage who happened to be using THAT SAME RHYTHM DURING THAT SAME SONG. i.e. !!! = tsk tsk tsk.

...I start out with bullet points and end with paragraphs. Ok, back to work!

Listening Series 05 -- Dirty Projectors and Wintry Mix 2008-2009

After yet another long dormant period, the Audiozine Listening Series shudders back to life. Two aural delights this time:

1) Dirty Projectors – Stillness Is The Move
Yes, this track has been out for a while. In fact, the full album leak’s been out for a while. That doesn’t change the fact that this song is a hugely auspicious sign that Bitte Orca, the latest offering from the Dirty Projectors, will be among the year’s better collections. Two notable points about “Stillness…”: a) it features a killer vocal that, for once, utilizes melisma, vibrato, and other elements that seem directly pulled from modern R&B; b) the track’s combination of huge drums, synthesized bass, spidery and spare guitar licks, and pop-friendly vocal strike me as being a delightfully warped take on the spare nursery rhyme-like quality of the last few years of hip-hop and R&B. A grayer shade of white, maybe?

2) Wintry Mix 2008-2009
Since last fall I’ve been playing around in my spare time with some really barebones free DJ software, mostly blending hip-hop and other danceable genres. Last winter, I decided to blend some songs outside of the dance music world in an attempt to catch the feeling of the season. From a mixing standpoint, there’s really nothing notable going on. But when I dug the mix up earlier this week, it seemed like something people might enjoy. Runtime is approx 30 minutes.
Tracklist:
D. Lissvik -- Track 6
Arthur Russell -- You and Me Both
Autechre -- Altibizz
Flying Lotus (orig. Kanye West) -- Love Lockdown Remix
Erykah Badu -- My People
Jaylib -- Starz
Slum Village -- Fall In Love
Jape -- Floating
No Age -- Keechie
Portishead -- Hunter

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